In Development

DNA DANCE: SCIENCE MEETS STORYTELLING & LEGACY BECOMES MOVEMENT

DNA DANCE: SCIENCE MEETS STORYTELLING & LEGACY BECOMES MOVEMENT

Choreographer and creative pioneer raymond d blanco has returned to his birthplace of Gurambilbarra (Townsville) to undertake the creative development of a powerful new dance work that traces the intersections of DNA, family, spirituality, memory and legacy.  

SHOWING: 1.30pm, Tuesday 28 July 2026 at Dancenorth Australia, 188-210 Stanley Street, Gurambilbarra (Townsville) 

Produced by BlakDance and supported through the Australian Government's Indigenous Languages and Arts program and Dancenorth Australia through their Artist Residency in the Tropics (A.R.T.) Program, the work marks a full-circle moment for Blanco, as the only one of his siblings born in Gurambilbarra (Townsville). For Blanco, this development is both homecoming and heartfelt thank you to Dancenorth, the organisation that first gave him the space to transform years of personal reflection into a living creative work.  

“This project has lived inside me for a long time,” Blanco said.

”Coming back to Townsville and working with Dancenorth has allowed me to finally explore it properly. This is my way of saying thank you to the place where I began, and to the people who believed in this story.”
— raymond blanco

Current Development

This work is an embodied exploration of Blanco’s genealogy,  inherited memory and cultural identity. The project asks profound questions about what is passed through generations - not only through blood, but through responsibility, belief, lived experiences and love.  An intimate reflection and retrospective on a life spanning decades of artistic practice, spiritual searching and personal growth.

At the heart is a deeply personal exploration of  Blanco's Torres Strait Islander, Aboriginal, Filipino, Malaysian and Jamaican ancestry, alongside his family's long relationship with Christianity, cultural practice and identity. Through movement, he reflects on the idea of legacy and the invisible contracts carried through generations, ultimately asking; what do we inherit and what do we choose to carry forward?

“I’ve spent my life creating work for others. This is the first time I’m really turning the mirror back on myself and asking, ‘How did I get here? Who am I now? What do I leave behind?’”
— raymond blanco

A defining feature of the development is the cast itself. Four dancers from Raymond’s bloodline appear in the work, including his nephew/son, Waangenga and Blanco's granddaughter, Cairns based Brianna Kemmerling, creating a rare intergenerational collaboration where artistic practice and family history become inseparable.  

For his granddaughter, Brianna, the experience carries deep personal significance. 

“It’s an honour, and a rarity, to be given the opportunity to dance a story representing my own family lineage. To be taught and to create alongside my grandfather is something incredibly special.

We’re not only connected through blood, but through our shared artistic practice, our kinship and our family history.”
— Brianna Kemmerling

By placing his own family on stage, Blanco invites audiences into a story that is deeply  personal yet encourages contemplation of universal questions about belonging, identity and inheritance.  

The creative development also honours the artistic communities that have shaped Blanco throughout his career. Family members, collaborators and generations of artists contribute  to a work that celebrates both the strength of kinship and the enduring power of dance as  cultural legacy.  

Marilyn Miller and Luke Daniel Peacock bring generations of creative excellence to the project. Marilyn Miller, Raymond D. Blanco’s lifelong creative collaborator and dance family, contributes her extensive cultural knowledge and artistic expertise, while acclaimed singer-songwriter and producer Luke Daniel Peacock, Raymond’s cousin, is creating the original soundscape and musical composition that underpins the work’s emotional and cultural journey.

As the work continues to evolve, Blanco hopes audiences will be inspired to reflect on their own stories; he says:

“I want people to look at themselves. We all carry histories. We all carry family. This work is about stripping everything back and asking, ‘What has brought me to this moment? & what is relevant to my future’”
— raymond blanco

The development taking place at Dancenorth marks the next stage of a work that promises  to be one of Blanco's most personal and ambitious creations to date—where science meets story, DNA meets dance, and legacy becomes movement. 


Creative Team

Choreographer: raymond d blanco

Creative Collaborator: Marilyn Miller

Sound Design: Luke Daniel Peacock

Cast (Townsville Development): Aba Bero, Brianna Kemmerling, Harlisha Newie-Joe, Tameeka Cora, Tessarna Cora.

Produced by: BlakDance

Supported by: Dancenorth, ART Program
Funded by: Ministry of Arts


Bunyi Bunyi Bumi

Image by T J Garvie Photography

We're thrilled to share new work in development Bunyi Bunyi Bumi, Co-Directed by raymond blanco (Yadhaigana and Erub) and Priya Srinivasan (Tamil) and Co-Devised with Alfira O'Sullivan (Acehnese), Murtala (Acehnese), Waangenga Blanco (Meriam and Pajinka Wik) and and Tyrel Dulvarie (Yirrganydji).

Bunyi Bunyi Bumi brings together our resilience, identity, and transformation in re-threading First Nations and Indonesian connections across the Indian Ocean. With powerful choreography and storytelling, Bunyi Bunyi Bumi delves into the impacts of colonisation, bringing together extraordinary talent from diverse cultural perspectives.

This journey began in June 2023, with the work undertaking three intensive development phases to date in Naarm at Abbotsford Convent, Malthouse, City of Dandenong and Walker Street Gallery, each building on the last to deepen the story and amplify its cultural layers. BlakDance proudly stewards this project as producer and cultural advocate, ensuring creative control, self-determination, and respect for cultural protocols.

We are stoked to welcome two new First Nations roles within our workforce development strategy: Luke Peacock as Associate Producer and Emma Holgate as Production Coordinator. Their expertise and perspectives strengthen our commitment to cultural integrity and representation.

 

Images from creative development August 2024, Dandenong

 

Commissioned by Bunjil Place and Asia TOPA, Arts Centre Melbourne.

Produced by BlakDance.

This project is supported through the Australian Government's Indigenous Languages and Arts program, through Creative Australia, its principal arts investment and advisory body and the Queensland Government through Arts Queensland.

Supported by Sangam, Suara Dance, the City of Greater Dandenong, Drum Theatre, Walker Street Gallery, Metro Arts and Thomas Dixon Centre.

 

Preparing Ground

Preparing Ground

By Marilyn Miller (Kukuyalanji and Waanyi), Jasmin Sheppard (Tagalaka and Kurtitjar) & Katina Olsen (Wakka Wakka and Kombumerri).

when Country is scarred

when language is silenced

when Indigenous Knowledges offer pathways to heal

when communities gather to lead change

when survival depends on care for the environment and each other.

About preparing ground

Preparing Ground began in 2019, and embodies years of dedicated practice, extensive community engagement, and an unwavering commitment to First Nations governance and agency.

Preparing Ground calls on us to come together, as communities and individuals, to care for the land and each other. In a time of environmental and social upheaval, this work offers a message of hope, resilience, and collective responsibility. It’s about honouring the Knowledges of First Nations communities, whose deep connection to Country has endured for millennia, and bringing that Knowledge into the present to guide us toward a shared future.

This work is an invitation for audiences to engage—to listen to the land, to witness the strength of community, and to actively contribute to the reclamation and protection of our environment. By centering local voices, Preparing Ground calls on all of us to reflect on how we can care for the land and its stories together. We are all connected to this place, and we all have a role to play in its healing and future.

Preparing Ground - the future Future

Preparing Ground envisions a “future Future”—a world where care for Country and community spans generations. It reminds us that our survival depends on an enduring relationship with the land, and that the path forward is one we must walk together.

Now, more than ever, is the time to work together—to unite in care, understanding, and action. Preparing Ground is a powerful reminder that through collaboration, we can create a sustainable and thriving future for all.

Watch the Community Engagement pilot - Kombumerri Country, October 2023


"There is a stronger elemental guidance influencing movement and how the body responds to Country that comes from such close association with, or being on, Country… It has been an extremely rewarding, renewing, and reinvigorating process. The realisation encapsulated as: 'we ARE Country'; we present the voice OF Country." Marilyn Miller

“Working on Country or being connected to Country has been the springboard from where every concept, creative ideas and information which makes the bulk of our content has come from. It has informed the decolonized process of our creative development in the studio.” Jasmin Sheppard

"Preparing Ground cannot happen without dedicated time on Country. Having this time researching and developing on Country means that our communities are involved in the making of our work right from the beginning and throughout the process of making the work. Therefore we are honouring our own protocol and duty to our communities, and the voice of community is then reflected in the work." Katina Olsen

Image credits: Samuel James, Katina Olsen, Jade Ellis Photography

Community Engagement pilot images feature Kombumerri Rangers from Ngarang-Wal Gold Coast Aboriginal Association Incorporated

 

PROJECT TIMELINE

2019 - Project conception as part of BlakForm market development program 

Feb 2020 - Pitched at AsiaTOPA APAM 

May 2020 - Research and Development (online)

Mar 2021 - 3 x 1-week on Country Research and Developments (Tagalaka, Yalanji and Wakka Wakka)

Apr 2021 - 3-week Research and Development at Bulmba-Ja Cairns

Sep 2021 - 4-week Choreographic Development at Brisbane Powerhouse & The Art House

Apr 2022 - 2-week on Country Research and Development (Yalanji)

Jul 2022 - 2-week on Country Research and Development (Tagalaka) 

Mar 2023 - 2-week on Country Research and Development (Wakka Wakka) 

Apr 2023 - 1-week Research and Development (Kombumerri) 

Oct 2023 - 3-week Creative Development at HOTA (Kombumerri)

Nov 2024 - 3-day Creative Development (online)

Dec 2024 - 2-week Creative Development at NAISDA (Darkinjung)

Feb 2025 - Design Collaborations (online)

May 2025 - Pre-Production at NAISDA (Darkinjung)

May 2025 - Premiere season at The Art House (Darkinjung)


CREATIVE TEAM

Co-Directors: Marilyn Miller (Kukuyalanji, Waanyi), Jasmin Sheppard (Tagalaka, Kurtitjar) & Katina Olsen (Wakka Wakka, Kombumerri)

Performers: Marilyn Miller (Kukuyalanji, Waanyi), Jasmin Sheppard (Tagalaka, Kurtitjar) & Katina Olsen (Wakka Wakka, Kombumerri) 

Collaborative Understudy: Audrey Goth-Towney (Wiradjuri) 

Dramaturg: Victoria Hunt (Te Arawa, Ngati Kahungunu, Rongowhakaata Maori, English, Irish, Finnish)

Lighting Designer: Karen Norris 

Set and Projection Designer: Samuel James

Sound Designer: Samuel J Pankhurst

Costume Designer: Aleisa Jelbart

Production Manager: Simon Cook (Mamu), BlakDance

Production Coordinator: Emma Holgate (Mandaburra), BlakDance

Stage Manager: Zara Thompson 

Executive Producer: Merindah Donnelly (Wiradjuri), BlakDance

Senior Producer: Nicole Reilly (Wiradyuri), BlakDance - previously Tom Pritchard and Emily Wells (Kamilaroi)

Associate Producer: Luke Peacock (Samsep/Meriam), BlakDance

Early Collaborators: raymond blanco (Yadhaigana and Erub), Yolande Brown (Bidjara), Tammi Gissell (Muruwarri). 

On-Country Collaborators: 

Kukuyalanji: Uncle John Hartley and Juan Walker 

Tagalaka: Patrick Wheeler and Victor Steffenson 

Wakka Wakka: Uncle Max Chapman, Aunty Yvonne Chapman, Shirley Olsen, Natalie Chapman, Corey Appo, Shannon Bauwens, Aunty Lurlene Henderson

Kombumerri: Uncle John Graham, Shirley Olsen, Justine Dillon, Maxwell Dillon, Clinton Brewer

Yuggera, Birri, Bindal and Warranghu: Raelene Baker


Presented by The Art House Wyong.

Produced by BlakDance. 

Preparing Ground is co-commissioned by Queensland Performing Arts Centre (QPAC), BlakDance and Brisbane Festival, with support from NAISDA Dance College, The Art House Wyong. 

It is supported by the Australian Government’s Indigenous Languages and Arts program, and the Major Festivals Initiative, managed by Creative Australia, its arts funding and advisory body, in association with Brisbane Festival and Sydney Festival, with additional project funding from Creative Australia. Preparing Ground is also supported by the Queensland Government through Arts Queensland, Sunshine Coast Council and the City of Gold Coast. Additional support has been provided by Bulmba-ja Arts Centre, HOTA (Home of the Arts), Brisbane Powerhouse and Judith Wright Arts Centre.