BLAKDANCE

Dance as Medicine - by Joe Williams

Image credit: Jodie Choolburra, supplied by Joe Williams

Image credit: Jodie Choolburra, supplied by Joe Williams


It has been widely documented that I struggle with many personal and mental demons; these demons led me to an attempt on my life by way of Suicide in 2012; thankfully, I am lucky enough to be alive, to share my story of hope & survival with a larger audience both nationally and internationally.

In my travels and many speaking engagements, largely documented over social media, various people across the country see the positive work I contribute in many First Nation and Non-Indigenous communities. I travel across the country implementing wellness programs in community in hope to reduce the Suicide rates. Many who know my background with severe mental illness & suicidal ideation, ask what the secret to my personal healing is, and the work I do in community, and healing the mental hurt.

In a word, it’s Culture.

The biggest healer for me since my attempted suicide has been the reconnection to culture; the many aspects of culture but in particular, dance.

This is why at the National Indigenous Dance Forum; I pitched the idea to have an open discussion on the topic ‘Culture & Dance as Medicine’

I have never been a dancer for performance, but once I connected to traditional dancing; it gave me a much deeper connection & healing. For me, when dancing, covered in ochre, that ochre, the blood and bones of our old people; the ancestors who paved a way for the very footsteps we take today.

When dancing the story of our animal ancestors, we feel a spiritual connect that takes us to the very creation of our existence.

This is healing.

Pre colonisation in 1788, our wellbeing was of positive nature, we were living in harmony and there were no suicides; this speaks volumes - what our old people were doing, was keeping us alive and well, and what they were doing, was working. On the opposing end of the scale, with the negativity, hurt & trauma in today’s society & our suicide rates the highest on the planet, what we were doing now, clearly isn’t having positive impact.

The answer to this healing is through traditional culture & dance. When we dance, not only are we spiritually connected, but when we are physically connected, it is scientifically proven the earth has natural healing energies that transform directly into the body with bare contact.

Also when we dance, we have what is now called mindfulness; concentrating on the immediate task; what move we make allowing us to be in the present moment. This is what our old people have been doing since the beginning of time.

Recent evidence of this was the coming together and execution of the recent Redfern Corroboree.

Concerned local mothers came to me worried about the behaviours of young people in the community in fear of them heading down a negative path of alcohol, drugs & trouble.

They noticed the positive work I, and many of the cultural men I connect with do across the country and wanted to see if I’d be interested in having a word or organising some wellbeing workshops; I knew what the community needed, it was healing though the medicine of culture.

Through cultural group I am connected with, we rallied 100+ culturally strong men from right across NSW & QLD, gathered in the heart of Redfern, stomped Mother Earth, called on the old people & woke the spirit that had been laying dormant for some 200+ years.

Local inspiring leader uncle Shane Phillips, described the experience ‘something he’d never experienced before’.

The atmosphere was electric, the yearning was strong - culture was alive.

Leader and activist Aunty Jenny Munro pulled me aside with a kiss on the cheek and said - ‘nephew our old people have been doing this for thousands of years, this is how we heal’.

She is right, it is culture that will provide the very healing we have been craving for so many years; healing is in the one thing we have been practicing for thousands of years; the healing is through culture & dance.

A month past since the Corroboree, I have been still receiving phone calls and texts asking for the next one and how incredibly strong and proud it has made the many individuals who witnessed, they could feel the old people.

The proof is in the action;

When we need healing, we need to connect; sink our feet into the dirt, our Mother Earth, wear our ochre; the blood and bones of our old people - connect to 65,000 years of modern science dated history; but we know it’s much more than that.

- JW


 

Joe Williams - The Enemy Within

Founder & International Speaker
www.joewilliams.com.au

 

Socials

Facebook – The Enemy Within; Suicide Prevention and Mental Health Education

Instagram – joewilliams_tew

Twitter – joewilliams_tew

FIRST NATIONS EXCHANGE MANIFESTO 

FEBRUARY 2018

DURING AUSTRALIAN PERFORMING ARTS MARKET (APAM 2018), BRISBANE

For thousands of generations we have cared for the soul of this country. Globally First Peoples are the knowledge bearers and cultural Custodians. The integrity of any arts & cultural conversation begins with us. To truly have a relationship with Australia you need to start with us.

An incredible amount of work has been done since Adelaide 2012 to grow the voice and presence of the First People of this land and others beyond the mere pitch n sell. But, we are just scratching the surface of what’s possible.

Brisbane’s prioritisation of First peoples has been intrinsic to the success of this spectacular event. As Melbourne takes custodianship of this gathering, we invite you to our table to discuss taking this event to the next level of partnership.


As we begin to reimagine this event, we offer this: When we come together what potential is unleashed when we go beyond commerce and honour deep connection? What would an APAM look like where all of us bring our entire selves: ancestry, spirit, culture then work?

Creative Victoria has stated their commitments to First Peoples cultural arts practice. Only WITH us will you to achieve these goals.

Blakfella says “You wanna do the right thing yeh?”
Whitefella says “But of course.
This mob of Blakfellas says “Let’s start right now.”

See you in Naarm.

National Indigenous Dance Forum (NIDF) 2017

National Indigenous Dance Forum (NIDF) 
A Gathering, presented by BlakDance

5–7 MAY 2017

Benjamin Creek Image by Walker and Campos

Benjamin Creek Image by Walker and Campos

NIDF PROGRAM

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THE NATIONAL INDIGENOUS DANCE FORUM (NIDF) IS A BLAKDANCE GATHERING, PRESENTED IN PARTNERSHIP WITH YIRRAMBOI FIRST NATIONS ARTS FESTIVAL

THE NIDF IS FOR ALL DANCE COMMUNITIES – CULTURAL AND CONTEMPORARY DANCERS, COMMUNITY DANCE GROUPS AND INDEPENDENT ARTISTS – TO GATHER TO DISCUSS OUR NEEDS IN COMMUNITIES ACROSS AUSTRALIA.

THE NIDF IS PART OF THE BULLARTO WONTHAGGI (EVERYONE GATHERING TOGETHER) PROGRAM OF YIRRAMBOI FIRST NATIONS ARTS FESTIVAL.    
 

Mitch Tambo Image by Walker and Campos

Sermsah Bin Saad Image by Walker and Campos

Sermsah Bin Saad Image by Walker and Campos

THE NIDF IS FOR PEOPLE WHO WANT TO BE ACTIVELY INVOLVED IN DEVELOPING A NATIONAL ACTION PLAN FOR INDIGENOUS DANCE AND ARE WILLING TO WORK WITH OTHERS FROM ACROSS THE COUNTRY IN THE COMING YEARS TO MAKE IT HAPPEN. IT WILL BRING TOGETHER REPRESENTATIVES FROM AS MANY REGIONS AS POSSIBLE.

“When you come to the National Indigenous Dance Forum, you have to be really clear about what your purpose is, be strong and determined to fulfil that purpose. Be aware of where you are and have a sense of place.
- Marilyn Miller -
founder of BlakDance

FOR MORE INFORMATION ON PREVIOUS NATIONAL INDIGENOUS DANCE FORUMS, PLEASE TAKE A LOOK AT  THE CREATING PATHWAYS OUTCOMES FROM 2005.


ABORIGINAL BALLET DANCERS OF AUSTRALIA

ON SUNDAY 7 MAY 2017 BLAKDANCE WILL HOST ABORIGINAL BALLET DANCERS OF AUSTRALIA. 

A HISTORIC DISCUSSION PANEL BRINGING TOGETHER 7 ABORIGINAL BALLET DANCERS TO JOURNEY THROUGH HISTORY, FRIENDSHIP, GENEROSITY AND HOPES.
 

 

Aboriginal Ballet Dancers of Australia
7 May, 6.30PM
Melbourne City Town Hall

Co-convened by Marilyn Miller (founder of BlakDance) and David McAllister (Artistic Director Australian Ballet)

 

 

 

Mary Joyce MillerPhoto courtesy of Sunday Times Newspaper Perth 1959, the year Mary Joyce Miller auditioned and was accepted as a member of the West Australian Ballet Company.

Mary Joyce Miller
Photo courtesy of Sunday Times Newspaper Perth 1959, the year Mary Joyce Miller auditioned and was accepted as a member of the West Australian Ballet Company.

BlakDance Presenter Series 2017

Presenter Series with Artists, image credit Mick Richards.jpg


We’re inviting presenters and programmers an opportunity to join a delegation to the BlakDance Presenter Series, which is a program that sits alongside the National Indigenous Dance Forum (NIDF). The NIDF is part of the Bullarto Wonthaggi (Everyone Gathering Together) program of YIRRAMBOI First Nations Arts Festival.

Location: Meat Market, Melbourne
Dates: 5–7 May 2017

THE BLAKDANCE PRESENTER SERIES SITS ALONGSIDE THE NIDF TO PROVIDE PRESENTERS AND PRODUCERS THE OPPORTUNITY TO  DEVELOP FIRST HAND INSIGHTS INTO CURATORIAL CAPACITY OF FIRST NATIONS DANCE.


The BlakDance Presenter Series delegation will spend the first three nights of the Festival immersing themselves in First Nations dance. Delegates will have the opportunity to participate in hand crafted presenter workshops, see and discuss work with colleagues, network and develop first hand insights into curatorial capacity of First Nations dance.

We are looking for presenters and programmers who are seeking authentic experiences for their audiences and might not otherwise have the opportunity to access a diverse range of First Nations dance productions and makers.

It seeks to respond to an evidenced gap between audience interest and lack of presentations of Indigenous work highlighted in Australia Council research Showcasing Creativity and Building Audiences.

Delegates will participate in a schedule of activities comprising of selected performances and group activities, networking events with the Indigenous dance sector through interfacing with the National Indigenous Dance Forum.


OUR PROJECT IS BEING LED BY:

  • ANGELA FLYNN, INDIGENOUS ARTS CONSULTANT 

  • JUDY HARQUAIL, LEADING CONTEMPORARY DANCE INDUSTRY EXPERT (CANADA)

  • MEREDITH BOGGIA, NEW YORK-BASED DANCE PRODUCER (USA)

  • COLLETTE BRENNAN, CEO, ABBOTSFORD CONVENT

  • JANE FULLER, HEAD OF PROGRAMMING NORPA

  • KIRK PAGE, ASSOCIATE DIRECTOR NORPA

  • LYDIA FAIRHALL, HEAD OF PROGRAMMING FOOTSCRAY ARTS CENTRE

  • BEN GRAETZ, CREATIVE PRODUCER, ILBIJERRI


These industry leaders will deliver a program that seeks to transform the skills of the participants and the way they engage with Indigenous contemporary dance practice through their programming within national touring.

BlakDance will curate a group of choreographers with national touring aspirations who are already in attendance at the NIDF, to up skill and provide market development training to enable deeper engagement with the presenters. You will have opportunities to connect with them through dedicated networking events and facilitated processes. This provides an opportunity for both artists and presenters to build meaningful relationships with each other.

Selection Criteria

BlakDance staff and industry advisers will assess the impact of the opportunity for the individual or organisation according to the following selection criteria:

1      How the opportunity will strengthen your capacity as an arts professional and/or organisation to deliver your audience development goals

2     The relevance and timeliness of the proposed opportunity in delivering your audience development goals

3     The ability of you and/ or your organisation to effectively implement change.

 

The project team leaders and BlakDance will assess the EOI’s.

You will be asked to provide details addressing the selection criteria when you submit your EOI through the BlakDance website.


Selection process

Expressions of Interest can be submitted through the BlakDance website from the 29 March. The delegation will be formed against a framework considering the overall mix of participants necessary to reflect a diverse range of art forms, regions and experience.

Applications from regional and remote areas are strongly encouraged.

You will be informed of the outcome of your expression of interest by 22 April 2017. 


Contact

To discuss your expression of interest, please contact Merindah Donnelly, Executive Producer, BlakDance. merindah.donnelly@blakdance.org.au

We are offering this program at no cost to presenters, however please note:
BlakDance cannot not cover flights or accommodation. 
We can recommend locations near the Festival hub.
We cannot supply tickets to nominated events.
Any additional costs will be borne by the participant.

Participants are encouraged to extend their stay to take in more of the Festival and add value to their travel with meetings and events outside of scheduled activities.

 

THE IBIS HOTEL, SWANSTON STREET, MELBOURNE, THROUGH THEIR PARTNERSHIP WITH THE MEAT MARKET IS OFFERING A DISCOUNT TO DELEGATES. GO TO THE MEAT MARKET WEBSITE FOR MORE INFORMATION.


IABD 30TH INTERNATIONAL CONFERENCE AND FESTIVAL OF BLACKS IN DANCE 2018

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THE INTERNATIONAL ASSOCIATION OF BLACKS IN DANCE (IABD) PRESENTS THE 30TH ANNUAL INTERNATIONAL CONFERENCE AND FESTIVAL OF BLACKS IN DANCE IN LOS ANGELES, JAN 23-28, 2018.  

IABD HAS ASKED BLAKDANCE TO INFORM OUR MEMBERS OF THIS SIGNIFICANT OPPORTUNITY!

 

THEY ARE REQUESTING EXPRESSIONS OF INTEREST (EOI) FROM THE AUSTRALIAN INDIGENOUS DANCE SECTOR TO ATTEND THE CONFERENCE AND FESTIVAL.

Attending the conference and festival provides opportunities to:
- Undertake Professional Development
- Present work (cultural and or contemporary, excerpts, 10 minute maximum)
- Deliver workshops and master classes
- Present ideas, dialogue or conversation topics.

To submit an EOI, you must complete the form BELOW. This must be submitted by September 1st to allow time for IABD to assess applications.

If this is something you want to attend, please be aware of the process:
1. Complete EOI online below by September 1st. 
2. All EOI’s will be sent to IABD to be assessed by them.
3. If IABD selects your EOI, you must then submit an individual grant application to the Australia Council for the Arts by the October 3 funding deadline (or find alternate funding elsewhere).

PLEASE NOTE: This is not a funded activity. BlakDance is NOT involved in the selection process or providing funding. We can provide support for you to submit a funding application. We are not submitting on your behalf. If your EOI is selected by IABD, your attendance is funding dependent (through Australia Council or other).

IF YOU ARE INTERESTED IN TAKING UP THE SUPPORT OF BLAKDANCE FOR THESE OPPORTUNITIES PLEASE COMPLETE THE BELOW EOI FORM BY SEPTEMBER 1st.

Enquires? Contact us hannah.scanlon@blakdance.org.au or sean.campbell@blakdance.org.au

*Please note you will need a current passport for this opportunity*

*EOIs have now closed*

 

AUSTRALIA COUNCIL FOR THE ARTS FUNDING

CAREER DEVELOPMENT GRANTS FOR INDIVIDUALS AND GROUPS
Want to further develop your skills in Australia or overseas by:
-A self-organised residency
-Attend professional development / practice workshops
-Work with a mentor or community
-Collaborate on a new work
-Go on secondment with a company
-Attend a symposium or conference
The main focus on this grant is about the impact on your career your project will have.
FIND OUT MORE

Next Closing Date: 3 October 2017        Project start date after: 1 January 2018

Australian Performing Arts Centres Association Conference & The Performing Arts Exchange (APACA / PAX) 2017

READ THE EVALUATION BY BLAKDANCE TRAINEE PRODUCER HANNAH SCANLON HERE

YAAMA 2 GAMMERAIGAL

APACA / PAX 2017

ON 21-24 AUGUST, BLAKDANCE AND 4 OF THE NEXT GENERATION OF INDIGENOUS CHOREOGRAPHERS TRAVEL TO GAMMERAIGAL COUNTRY FOR APACA / PAX  

 

BLAKDANCE HAS A PITCH SESSION & 2 ENCOUNTER SESSIONS AT PAX

AND A BREAKOUT SESSION AT APACA: PERFORMING COUNTRY 



TUESDAY 22ND AUGUST  


PAX PITCH SESSION #4  11:00AM - 12:10PM

BLAKDANCE - PITCH


BLAKDANCE ENCOUNTER SESSION  12:15PM - 1:00PM

MEET MARIAA RANDALL AND THOMAS E.S. KELLY


BLAKDANCE ENCOUNTER SESSION  3:45PM - 4:30PM

MEET KATINA OLSEN AND AMRITA HEPI

THURSDAY 24TH AUGUST

BREAKOUT: PERFORMING COUNTRY   1:30PM - 2:30PM


PERFORMING COUNTRY IS AN AMBITIOUS FOUR-YEAR PROJECT THAT WILL FOCUS ON PLACE BASED COLLABORATION BETWEEN INDIGENOUS COMMUNITIES AND VENUES, ENRICHING INDIGENOUS LED LOCAL LEADERSHIP, ENGAGEMENT AND TRANSFORMING VENUES.

PERFORMING COUNTRY IS A PARTNERSHIP BETWEEN BLAKDANCE, BLACKFULLA PERFORMING ARTS ALLIANCE, PERFORMING LINES AND Performing Arts Connections Australia.

PERFORMING COUNTRY WILL BE LED AND DEVELOPED WITH THE ADVICE AND GUIDANCE OF INDIGENOUS COMMUNITIES, ELDERS AND PERFORMING ARTS EXPERTS. JOIN US FOR AN UPDATE AND DISCUSSION WITH OUR PROJECT PARTNERS.

Speakers: Karilyn Brown, Anne-Marie Heath, Rachael Maza & Merindah Donnelly

 

BLAKDANCE WILL ALSO BE ATTENDING THE PRESENTING FIRST NATIONS WORK: CULTURAL PROTOCOLS SESSION.


WEDNESDAY 23RD AUGUST

3:00PM - 4:00PM


Are you presenting or contemplating presenting Aboriginal and/or Torres Strait Islander work?

How welcoming is your venue for your Indigenous community members? 

Following on from this popular session at our 2016 conference, this session will provide you with advice and suggestions on how you can cultivate Indigenous cultural protocols.

Speaker : Mark Stapleton


APACA, the Australian Performing Arts Centres Association, is presenting the 2017 Performing Arts Exchange [PAX] and 'Outside, In´- this year’s performing arts conference. 

The Performing Arts Exchange (PAX) is APACA’s flagship networking and development event. It’s a face-to-face market which brings together producers and presenters from across the country to create and maximise touring opportunities and build relationships.

VIEW THE FULL APACA/PAX PROGRAM HERE

VIEW THE PAX ONLY PROGRAM HERE

NATIONAL INDIGENOUS DANCE FORUM (NIDF) 2017

NATIONAL INDIGENOUS DANCE FORUM (NIDF) 

OUR SECTOR GATHERINGS ARE HELD EVERY FEW YEARS, FOR THE SECTOR, BY THE SECTOR. 

THESE GATHERINGS ARE FOR ALL DANCE COMMUNITIES – CULTURAL AND CONTEMPORARY DANCERS, COMMUNITY DANCE GROUPS, EDUCATORS AND INDEPENDENT ARTISTS – TO DISCUSS OUR NEEDS IN COMMUNITIES ACROSS AUSTRALIA.

THE 2017 GATHERING BROUGHT TOGETHER REPRESENTATIVES FROM AS MANY REGIONS AS POSSIBLE TO DEVELOP A SECTOR-LED NATIONAL ACTION PLAN FOR INDIGENOUS DANCE.

READ THE NIDF 2017 REPORT HERE

“When you come to the National Indigenous Dance Forum, you have to be really clear about what your purpose is, be strong and determined to fulfil that purpose. Be aware of where you are and have a sense of place.
- Marilyn Miller -
founder of BlakDance

The National Indigenous Dance Forum (NIDF) 2017 was a BlakDance gathering held in partnership with YIRRAMBOI First Nations Arts Festival. Held on the lands of the Kulin Nation at Weelam Ngalut, the Meat Markets Melbourne, 5 - 7 May 2017. Over 180 delegates participated with comprehensive national representation and international guests from; USA, Fiji, Canada and New Zealand. The gathering was inclusive of the independent and small to medium sector, with diverse practitioners from; grass roots community members, choreographers, cultural educators, contemporary dancers, cultural dancers and youth dance companies. The process and program was informed by the NIDF Steering Group which included elders and peers of BlakDance as well as sector representatives. Direct advice regarding protocol was taken from the YIRRAMBOI Elders Council.

The NIDF 2017 was part of the Bullarto Wonthaggi (everyone gathering together) program of YIRRAMBOI, facilitated by Wesley Enoch (Artistic Director, Sydney Festival), Marilyn Miller (Founder, BlakDance) and Graham Brady (Elder).

The five top priorities for action as voted by delegates are listed below in priority order:

  • Dedicated and curated intercultural and international conversations, showcases and opportunity for practice-based collaboration and connections at the next NIDF.

  • The purpose of dance to be upheld as a means for cultural transmission and healing as well as art.

  • Curriculum development for Indigenous dance in mainstream schools.

  • Increasing producers and presenters cultural competency through programs like the BlakDance Presenter Series. To ensure our cultural needs are included in our contract with the venue, through programs like Performing Country.

  • Demand for Indigenous led and curated Blak performing arts spaces.

  • There is a critical and urgent need for more opportunities to make work, developing process, practice and protocol, like the BlakDance Residency Program.

Jade Lillie, Rachael Maza, Rhoda Roberts, Angela Flynn, Lydia Miller. Photo by Mick Richards

BlakDance Presenter Series

The 2017 BlakDance Presenter Series ran alongside the gathering for presenters and producers the opportunity to develop first hand insight into curatorial capacity of First Nations dance.

Through consultation BlakDance identified the Artists and company representatives attended market development bootcamp within The BlakDance Presenter Series.

Through consultation BlakDance identified the Indigenous dance sector wanted presenters to engage with them at the NIDF. BlakDance responded by producing the BlakDance Presenter Series held concurrently, 5- 7 May 2017. Our allies generously volunteered their time in developing and delivering the program.

The program significantly transformed the participants ways of engaging with Indigenous contemporary practice through their programming within national / international venues and institutions.

For more information about the Presenter Series please click here.

Mary Joyce Miller
Photo courtesy of Sunday Times Newspaper Perth 1959, the year Mary Joyce Miller auditioned and was accepted as a member of the West Australian Ballet Company.

Aboriginal Ballet Dancers of Australia Panel  

Melbourne City Town Hall, 7 May 2017

BlakDance hosted a panel discussion with Aboriginal ballet dancers celebrating these forgotten heroes that dared to forge careers as ballet dancers despite racism and colonial policies.

This historic discussion brought together seven Aboriginal ballet dancers to journey through history, friendship, hopes and their contributions to the artform.

Co-convened by Marilyn Miller (founder of BlakDance) and David McAllister (Artistic Director Australian Ballet), with panellists Mary Miller, Noel Tovey, Roslyn Watson, Lillian Crombie, Ella Havelka, Evie Ferris and Damian Smith.

VIEW THE NIDF 2017 ATTENDEE LIST

Past national gatherings have included:

Creating Pathways outcomes from 2005

The BlakDance Symposium 2012 here

The BlakDance Summit 2015 here

During NIDF 2017 Delegates identified the achievements of the Indigenous dance sector in Australia since our first gathering at Creating Pathways in 2005. Initial data is collated here.

Different Scenes /// Shared Aesthetics

Different Scenes /// Shared Aesthetics

Listen to a podcast of artists speaking at Dance Massive 2015 here.

How does the local scene influence your practice? Listen as Merindah Donnelly,  Executive Producer BlakDance and four contemporary dance artists from around Australian describe their own aesthetics and influences. ‘Our local scene is the 600 Aboriginal and Torres Strait Island nations, our diverse songlines, protocol, histories and experiencesWe have over 30 contemporary choreographers with bodies of work and over 100,000 cultural dance practitioners. We have a flourishing scene, but most of you (here at Dance Massive) have seen less than 10% of the work of our artists.’ Merindah Donnelly.

Image - Dance Massive 2015

Indigenous artists challenge dance sector

Indigenous artists challenge dance sector

Indigenous participants at the recent National Dance Forum challenged the sector over its lack of engagement with and support for Aboriginal and Torres Strait Islander artists.

The Forum, coinciding with the biennial festival Dance Massive, was held at Footscray Community Arts Centre from 19-21 March and featured 154 delegates, representing every state and territory.

Image - Thomas E S Kelly & Taree Sansbury in Wiradjuri choreographer Vicki Van Hout’s new production Long Grass

Emerging International Markets

“Our dream is that BlakDance will be a place our contemporary performers will look to for inspiration, information and support in the field.” This year BlakDance is undertaking a market probe of emerging international markets with a fellowship awarded by the International Society of Performing Arts (ISPA) Congress in New York, Vancouver’s PUSH performing arts market and the Talking Stick First Nations Performing Arts Festival.

Image - BlakDance Showcase Rita Pryce - Warupaw Uu

 

Lagaw Gub

Lagaw Gub

“Seu Ngapa Welcome Lagaw Gub Island Wind brings the Torres Strait Islands to you.”

Lagaw Gub is a Torres Strait Islander dance education kit developed to share information about the rich heritage of Mua Island in the Torres Straits showcasing the songs, dances and stories of Dujon Niue

BlakDance at the AENQ Conference

BlakDance at the AENQ Conference

A wonderful energy was experienced at the The Ausdance Educator’s Network Queensland Conference (AENQ) held at The Queensland Ballet with many teachers committed to supporting Indigenous perspectives in their classrooms.

Image - The wonderful Ms Jeanette Fabilia leading a workshop for the AENQ Conference.